• Solo Exhibitions_selected
  • 12m Down, In the Dark, 2022
  • Badger A_s Invitation, 2021
  • Swoosh, Tsu-pu!, 2021
  • Midday at Seunggasa, 2019
  • A Ritual for Menopause, 2012
  • Four Columns, Twelve Windows, 2010
  • Vinyl Room, 2006
  • Grass and Fur, 2005
  • Hidden Energy_ A Field in the Gallery, 1999
  • Hidden Energy_ Clothes Taken Off, 1995
  • Hidden Energy, 1988
  • Video works
  • Ami-dong Tombstone Village 2024
  • What You Are Touching Now—A Route Setter 2024
  • A Quiet Time 2023
  • The Willow is Back 2023
  • What You are Touching Now 2023, 2019
  • Airing 2022
  • In The Neighborhood of Seokgwangsa 2020
  • Performance Diary—Whale_s Pose 2018
  • Momentum of the Tank 1 2017
  • Picketing 2016
  • Performance Diary—Lion_s Pose 2016
  • Why Did You Come to My House_ 2016
  • Mago Halmi’s DMZ Pan Pipe 2015
  • Baeknyeongdo 2014
  • Why Did You Come to My House? 2013
  • Gwanghwamun Still Life 2011
  • Away Mongolia 2011, Making a Del 2011, Narhngel 2011
  • Moon in Norway 2011
  • Bukaja Elegy 2009
  • Rolling1 2006, Rolling2 2006
  • Watering 2005
  • Wings 2005
  • Installed works
  • Blackout Journey, 2024
  • Things that came to Gapado, 2022
  • Baramsan Vortex, 2021
  • Ritual of Breaking Perilla Seeds, 2012
  • A Rememberance of Nangok, 2009
  • Inside of the Crack, 2008
  • A Voyage on a Vinyl Mattress, 2007
  • Cheolsan-dong Six Stairs, 2006
  • Ladybugs, 2004
  • Shaking a Tail, 2002
  • B2545 project—A Journey Searching for Myself, 2002
  • Wild Bridge, 2000
  • A Wall of Clothes, 1999
  • Clothes Flowing Out, 1999
  • Hidden Energy—Layers of Clothes, 1998
  • Between Clothing and Self-conscious, 1997
  • Texts
  • Hands Tickling Walls
  • Return or Metamorphosis
  • A Repertoire in the Darkness of Darkness
  • Outside of Vision and into Differentiated Gestures
  • Journey through Herstory, Envisioning Our Future
  • Timigaiāsana
  • Bewilder
  • Hospitality of the Body
  • A Body that Embodies Becoming-Nonhuman
  • ‘Ajumma’ and the Tactile World
  • 10 Questions
  • Spacing Out Your Practice
  • The Play of Two Streams of Water, Realism and Myth
C.V
Contact
Hong Lee, Hyunsook
  • Solo Exhibitions_selected
  • 12m Down, In the Dark, 2022
  • Badger A_s Invitation, 2021
  • Swoosh, Tsu-pu!, 2021
  • Midday at Seunggasa, 2019
  • A Ritual for Menopause, 2012
  • Four Columns, Twelve Windows, 2010
  • Vinyl Room, 2006
  • Grass and Fur, 2005
  • Hidden Energy_ A Field in the Gallery, 1999
  • Hidden Energy_ Clothes Taken Off, 1995
  • Hidden Energy, 1988
  • Video works
  • Ami-dong Tombstone Village 2024
  • What You Are Touching Now—A Route Setter 2024
  • A Quiet Time 2023
  • The Willow is Back 2023
  • What You are Touching Now 2023, 2019
  • Airing 2022
  • In The Neighborhood of Seokgwangsa 2020
  • Performance Diary—Whale_s Pose 2018
  • Momentum of the Tank 1 2017
  • Picketing 2016
  • Performance Diary—Lion_s Pose 2016
  • Why Did You Come to My House_ 2016
  • Mago Halmi’s DMZ Pan Pipe 2015
  • Baeknyeongdo 2014
  • Why Did You Come to My House? 2013
  • Gwanghwamun Still Life 2011
  • Away Mongolia 2011, Making a Del 2011, Narhngel 2011
  • Moon in Norway 2011
  • Bukaja Elegy 2009
  • Rolling1 2006, Rolling2 2006
  • Watering 2005
  • Wings 2005
  • Installed works
  • Blackout Journey, 2024
  • Things that came to Gapado, 2022
  • Baramsan Vortex, 2021
  • Ritual of Breaking Perilla Seeds, 2012
  • A Rememberance of Nangok, 2009
  • Inside of the Crack, 2008
  • A Voyage on a Vinyl Mattress, 2007
  • Cheolsan-dong Six Stairs, 2006
  • Ladybugs, 2004
  • Shaking a Tail, 2002
  • B2545 project—A Journey Searching for Myself, 2002
  • Wild Bridge, 2000
  • A Wall of Clothes, 1999
  • Clothes Flowing Out, 1999
  • Hidden Energy—Layers of Clothes, 1998
  • Between Clothing and Self-conscious, 1997
  • Texts
  • Hands Tickling Walls
  • Return or Metamorphosis
  • A Repertoire in the Darkness of Darkness
  • Outside of Vision and into Differentiated Gestures
  • Journey through Herstory, Envisioning Our Future
  • Timigaiāsana
  • Bewilder
  • Hospitality of the Body
  • A Body that Embodies Becoming-Nonhuman
  • ‘Ajumma’ and the Tactile World
  • 10 Questions
  • Spacing Out Your Practice
  • The Play of Two Streams of Water, Realism and Myth
C.V
Contact

Timigaiāsana